Corny Chirp

Chirp of Life.

I’ve not posted since May – much work for a dollar, but it’s always a blessing to have work, so no complaint there.  Despite the neglect though, the plants took good care of themselves – apparently I’m not on their critical path.  One stalk of corn has done a record bit of growing, pushing 18 feet I daresay – you judge –

Corn 1 Corn 2

I am waiting for the ears from this one save as seed corn.  I have a few ears from its stunted brethren.  I think they must be understood as decorative.

Ears

Now something I’d never noticed before, was that corn has additional, aerial roots at each of the lower segments.  I’m still dwelling on why, or is vestigial, how much so, etc.

Corn 3

And last, a leftover from last year, an escapee, if you will, from that harvest, a runaway purple carrot

Purple Carrot

The light ebbs here, but it does that every year.

 

Late May 2014

A bit of a walk about town, gray day, what spoke. First some yellow buttercups in a creek Creek Buttercups

then some orange lichen very vivid on a gravestone Orange Lichen Fern flowers – if that’s what they are or more like spore bearing fronds – I think it’s a cinnamon fern – Fern Flowers of course baby grapes on honeysuckle – where has our mythology gone, there certainly should be a story about this Baby Grapes with Honeysuckle A furry resident Chipmunk   Some chinkapin oak leaves – I favor this tree because I planted it as an acorn and it’s not exactly native but it’s thriving and the leaves are lovely. Chinkapin Leaves   Some ginseng I rescued from an Asian supermarket – the roots looked so like they wanted to grow, and indeed four of them now do. Ginseng and lastly some hops that are overrunning the back end of the garden – I need do something about them Hops

Early Spring 2014 Yard

In Loiusville Kentucky late in August of the year 2000 I remember the thistles as being very large and lush, as thistles go, so much so that I took several clumps of their seeds home.  I scattered them in a wild-ish area and they persist till this day, almost fourteen years later.

Thistle

Here now are platycodons just emerging.  Note the palette, very subtle and rich

Emerging Platycodon

Another wonder of tone, false indigo arising.

False Indigo

 

and staying in the the blue green family, hosta, followed by grape hyacinth.

 

Emerging Hosta

Grape Hyacinth

Here’s another subtle palette picture – baby bamboo shoots – you may have to click on the picture – look carefully, but most of all notice the rich and nuanced tones at the ground.

Bamboo Shoots

Varieties of pink tulip

Tender Petals Pink Tulips

 

purple tulip and Van Gogh tulip.

 

Purple TulipVan Gogh Tulips

 

This pink one is not a rose of Sharon, but the name is escaping me.

 

 

 

 

 

Not Rose of Sharon

Chinkapin oak bark and buds

Chinkapin buds

Peony

 

Emerging Peony

Blue spruce buds

Budding Blue Spruce

Plus tubular bells!

Subtle working

Ganesh, in the Hindu tradition, is known as the remover of obstacles.  I have a garden for him within which are many exotic stones and plants.  This also is the memorial garden for my father passed almost ten years now.  It’s a chaos of rocks and plants and themes. I want it to be so chock full of disparate elements that new possibilities are created.

Last year I set Ganesh a challenge I thought he had a chance at, described (here).  Well, it was a very cold winter.  It was so cold it killed even some of the mega cold-hardy bamboo I have.  The eucalyptus in question was covered in snow most of the winter and even as the snow receded it looked like it may have made it.

20140405 A

but that was quite the bit of wishful thinking, like how green a vegetable might look coming out of the freezer before it realizes it’s dead.  The aftermath (aftermath, I like that connotation) of the challenge follows.

Ganesh Teaching

Now the question is whether obstacles were removed.  This may be the subtlety of Ganesh.  I thought that the obstacle to be removed was the seemingly necessary death of this plant staying outside in so cold a winter.  Apparently the obstacle to be removed was my thinking that it would live.  What an effective removal of an obstacle!  A great magic indeed.

Now of course my ignorance is deep and persistent.  I have another such Eucalyptus and I think it fair to believe another winter will come.  Surely it cannot be that death must befall it, surely.  Surely?  We will see, of course.

Pepino Resurgent

When something refuses to die, and not counting Bruce Springsteen’s question ‘Is a dream alive that didn’t die, or is it something worse?’, I usually am impressed.  Tenacity in nature.  One such is the pepino below.

Pepino

Not speaking of the orange thing either, which never (I sincerely hope) was alive, notice those leaves at 1 o’clock.  Late in the summer of 2012 I planted the seed that became this pepino.  It wintered uneventfully and may have attained 10 leaves before spring 2013 came.  That summer it showed that the stalks really wanted to re-root, and it did so majorly and all of ten stalks arose – no flowers though.  Brought in with the autumn, it throve till March or so – even flowered, but no pollinators were around.  Then the eviscerating bugs got a jump it, those with wings and webs, so I put it outside a few days in April, taking it in at night to protect it from frost.  One night I goofed and it just could not take 30 degrees.  Sure looked dead.  Hard no to believe in this one though, especially knowing it had some very vibrant rooting tendencies, so I watered the dead thing for a few weeks, just until the chance of frost had passed, and out it went.  Not ten days later, up comes the green.

The heroic micro-drama, aye.

Hammer 2 – Bodark and Purpleheart

All right, my neo-primitive co-conspirators in modernity, all right.  Settle down.

Bodark really is bois d’arc, the hedge apple, maclura pomifera, we’ve spoke of it before. It’s among the hardest of North American hardwoods.  Purpleheart, I probably should not use it, as I have suspicions about it being properly sourced, but as I found this piece at the dump and to save if from fire or landfill can’t be so wrong

Hammer 2 Bodark Purpleheart B Hammer 2 Bodark Purpleheart A

The two previous posts give this one context.  It’s the replacement hammer for the one that failed but then was fixed, so it’s not really a replacement so much as another hammer.  It’s heavier and of denser wood.

Hammer 2 Bodark Purpleheart C Hammer 2 Bodark Purpleheart D

Still I am impatient.  I fitted the handle by successive approximation – no measuring tools were used in the creation of this object.  Successive approximation is an art by itself.  I think the design in general is dubious – that head will crack as soon as it is hit too hard.

It will be on display at the next exhibition of neo-primitive artifacts to be held… wait… you mean there is no such thing?

Hephaestus

I had just last written of hammers and it was pointed out to me that I had not mentioned their nominal patron god, Hephaestus.  Indeed too, supposedly Hephaestus is the patron of blacksmiths and craftsmen and all those who make things, and this blog in general is mostly about making things, so stopping for a moment to reflect on Hephaestus seems nothing short of proper.

Of course I’d read the basic mythology, and also having a natural predisposition towards blacksmiths, it was easy to conceptually favor a working god.  Something about the moment of impact though, impact as creative transformation, had and has a very powerful appeal to my intuition.  Let me offer a little show and tell.

I drew this a few years ago, thinking about the moment of impact

Hephaestus

and realized pretty quickly that the core element – the striking of a lightning bolt on an anvil – came out of a brief scene in Disney’s Fantasia.  There the Hephaestus is a little needlessly doofy but nonetheless he still has mighty work to do.

Hephaestus Fantasia 1 Hepaestus Forging Art Babbitt

I think a fellow named Art Babbitt is to be credited with that art and I praise it highly.  It is very brief but conveys its message very powerfully.

The Greek gods in many ways were a bunch of immortal miscreants.  Neither had they wrought the universe itself, so much as they presided over it, nor did they serve it in a manner that rose much above capricious self-indulgence.  Myself having been born in an earthly monotheistic tradition, where God in addition to presiding was also the maker of the universe, its fabric and character, this brought about in me an imagination of an Hephaestus of cosmologically much broader authorship, as if the personified agency of God as maker.  Not so much the chooser of what is to be made, nor necessarily the maker all things such as our clay-like selves, but big mighty things such as the fabric of the universe and of time.  Blake uses the idea of the smithy of heaven obliquely in Tyger Tyger, citing the hammer and anvil and tongs –

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

but my imagination is not subtle.  This idea of the heavenly smithy though, in which the world as we know it was and perhaps continues to be wrought made me write, this is a long time ago, nigh on thirty years, this bit –

Hephestus on Hammering
Thwump utterly on the big drum
Shuddering pulses that shiver down
The ossified spine of history
Amplify, with irresistible euphony,
The pure and incomprehensible
Music of the void
Stretch the limits of desire
Past the love of control
And the poignance of pain
Quake the dormance of matter!
Quake the formation of substance!
Quake the making of time!

where thwumping of course is the hammering, the ‘thw’ being the woosh and the ‘p’ the impact – and calling it a drum because there is a rhythm and a music in these repetitions, but to get to the intent, what would a big Mr. H, charged with such a big job, think and be desiring in doing this work that took the fullest measure of his strength and spirit, that he would be trying to transform the dead mass into more than a shape, that by hammering to transform, but to transform into what, oh, the muse.

Hephaestus painting

I am not much of a painter, nor a writer.  When I look at what is in this universe and what this universe is I am filled with wonder and I wonder what hath wrought it and if any design or intention or struggle, as we who make things experience, was in the making of things how they are.  I can’t even decide if I want that to be the truth or not.  I just can’t help but wonder.  I do know the painting above is certainly filled with imperfections – I was on an airplane the other day for a few hours – decided to touch it up a little electronically.  Except that he looks a little too composed now, almost as if he just got up from his desk job, the glaring wrongs spots are mostly addressed.

Hephaestus painting 3

Hammer Time?

They say that for everything there is a time and a season.  I always liked the fact that specifically there was a time to cast away stones – and a time to gather stones together.  I am tempted to infer from this incomprehensible larger rightness and balance of activities that I must be stepping through a little bit of hammer time.

This mini-epoch found it’s beginning last year when, possessed of new chisels, I needed something not metal with which to drive them.  Thus was born my first wooden hammer.  The other day I was working on making a handle for an adze.  The adze (below) was also a hammer, so it falls into this dance of hammers.  The handle I fashioned was of recycled mahogany (a great trash pile there is where I live).  I made it fatter at the top so that it could not pull through the eye of the adze head.

Adze 1

Adze 2

 

 

I suffer though, often enough, both from a lack of judgment and from impatience.  These combined can be very powerful forces.  Desiring to seat the new handle tightly in the adze head I picked up the nearest striking device, my wooden hammer, and applied with it far more force than it was designed to deliver.  The adze handle was driven to it’s destination, but the hammer head split.

Cracket Mallet Head 1 Cracket Mallet Head 2

Now I’ll be forthright and say that seeds of this doom had already been sown in the fisrt making of this hammer, that in my impatience and lack of judgment at that time I had driven that handle in a trifle too hard, cracking the head ‘a little’ and wrote off the malady as inconsequential because of the light force it would be called upon to deliver.  I love the way the seeds of future outcomes are planted in everyday actions.

It just so happened, because for reasons beyond my ken it is a season of hammers, that a rock hammer head had also recently come into my possession.  I had some white oak lying around.  I removed the broken shards of the previous handle (I did not break the previous handle) from the head and with great circumspection fashioned and installed a new handle.

Rock Hammer 1 Rock Hammer 2

Feeling, therefore, now marginally fit to take action in a world at least partially governed by hammer gods, in order to please them, I undertook to remedy my first hammer failure.

Being Fixed 1

Being Fixed 3 Being Fixed 2

and to further gain legitimacy as a native practitioner of hammer craft I undertook the making of a second wooden mallet, this with a head of orange osage (a very hard wood) New Head 1 New Head 2

and a handle to be made of purpleheart, again a recycled find from the treasure trove of our local dump.

New Hammer Elements

and here the saga pauses, in a time of hammer time.  I have used a steel hammer to stamp a sign on the shaft of the new hammer – such a world it is – of hammering, you can see the sign if you strain your eyes.

New Hammer Stamped

Maybe this hammer time is like something like Australasian dream time, a step out of the ordinary continuum, where one can talk with the hammer and tool making spirits and learn by paying attention to what happens.  I’ll provide an update when the osage purpleheart hammer comes together.

Where are the five Swans now?

When the last update was given on the great journey our protagonists were a trifle chilled and moldy, not exactly comfortable but going unabashed down the road of great promise.

Today they are just not sure they are going to make it to that hallowed state of permanent things.  Indeed, one of them was remarking to me about Ozymandias and sphinxes and that really that there are no permanent things and that it’s a farce to go for that and that they should go to Hollywood or better Vegas and bill themselves as the Five Swans and see how it goes, that they have at least as good a chance of making it there as they do in the quest for permanence.

The five swans ASome gourd enthusiast was telling me that for a gourd to cure properly it needs to have had 120 days of 80 degree temperatures.  These guys are lucky if they got seventy days of eighty degree temperatures.  There is only one where the body or neck does not have a crack and the walls are not at all substantial as compared to most of the gourds I’ve gotten from the American heartland.  Hearing that they might not have what it takes made this group of gourds agitated.  Made them question the meaning of being.  They are turning into angry philosophers on their way back to the earth.  ‘Ozymandias!’, one keeps muttering, over and over, as if there was something that must be understood by the listener.

 

Early Spring 2014

April 17th, in particular

Budding hyacinthsBudding hyacinths

A crocus –

Crocus

And best of all, lilies ambush a brick paver.  Notice how they have surrounded it.  I am not sure if they plan to lift it up and throw it or to break it into little pieces, but they are clearly on the march this April.

Lilies ambush paving brick